Andrew Nielsen, born in Australia and full of bonhomie, worked in publishing and advertising when a bottle of Dujac Clos de La Roche made him realise that his life’s meaning was to be found elsewhere.
He embarked on a journey of discovery and apprenticeship, gaining experience with iconic wine producers around the world. His first stop was Kosta Browne, Californian Pinot Noir and Chardonnay specialists. Stints at Felton Road (Central Otago, New Zealand) and Coldstream Hills (Yarra Valley, Australia) followed. It was in Australia that, through James Halliday, Andrew connected with Patrick Bize with whom he would then work with at Simon Bize in Savigny les Beaune, Burgundy.
This ended up being the crucial turning point that ultimately led to the inception of Le Grappin. It was while working at Simon Bize that he came up with the idea of producing small single-parcel Savignys. The economics of this idea, however, didn’t quite work for Bize and Nielsen therefore decided to start his own project, with the aim of identifying over-looked plots and working with growers to reveal their full potential.
Mapping each micro-terroir and telling the stories behind them is the basis of Andrew’s jeweller work. A fermentation geek (a trait he might have developed while working at London’s iconic cheesemonger Neal’s Yard Dairy) he relies exclusively on ambient yeast to ferment his wines, all of which are bottled unfined and unfiltered. This work of natural precision is reflected in the labels, designed by Brooklyn-based artist Louise Despont and based on the same intricate beauty.